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PHASE I RESTORATION OF MONUMENTAL CHURCH

Save America's Treasures Supported in part by a Save America's Treasures Grant administered by the National Park Service, Department of the Interior

Overview of Phase I (Exterior) Restoration

Monumental Church
Monumental Church before exterior restoration
Monumental Church
Monumental Church after exterior restoration

Exterior Roof Restoration

Roof Restoration
Pontorno Roofing, Inc. workers remove the old gutter system.
Roof Restoration
Paul Pontorno shows placement of the new gutters. The new placement will create a profile that is flush with the building, similar to Robert Mills' original hidden gutter system.

The dome roof consisted of a flat seam section overlapping a standing seam section. As a result of this design water was able to seep under the flat seam portion, causing water infiltration into the building. The standing seam portions were replaced with a flat seam roof forming a tight seal that prevents water penetration. New expansion joints were added to prevent the roof from pulling apart. The cupola roof required minor repairs and new down spouts. Damaged and spalling slate was replaced on the Portico roof and a ridgecap was added. The weakened portico roof system was strengthened. Metal skirting surrounding the stone shelf under the gutter was replaced. The east and west portico roofs were also replaced. Before restoration, the portico roof were sloped in such a manner that water ran into the adjoining walls and windows thus facilitation water damage to the underlying structure and interior plaster. All gutters and downspouts on the building were replaced.

Exterior Stucco Restoration

Stucco Restoration
Johann Rudroff, Technical Advisor for Keim Farben, creates stucco test patches. Johann took time out from his restoration work at the White House to demonstrate his technique to workers at Monumental. Keim Stucco is being used to renovate the White House and was selected to be used at Monumental.
Stucco Restoration
Frank Camden with Blue Ridge Restorations, Inc. carefully removes old non-compatible stucco.


All stucco was removed and replaced with Keim Stucco. The new coating matches the original coating in compressive strength and appearance and will outlast any modern coating. It will expand and contract with the building thus preventing the cracking and separation and subsequent water infiltration. Upon completion of the stucco restoration two coats of Keim mineral-based permanent paint was applied. It provides a uniform appearance to the building, in addition to providing weather resistance.

Exterior Wood Restoration

Wood Restoration
Robert Lusko, wood conservator, examines a test area to determine readiness of paint remover.
Wood Restoration
Robert Lusko, hand sands the patched wood and preps it for priming.

All exterior wood had excessive layers of paint. If new paint were applied the result would be early cracking and failure of the paint coating which would lead to the deteriorate of the wood. Therefore, all paint was stripped to bare wood and restored using an epoxy wood repair material and new paint was applied. All new paint strippers used are environmentally safe.

Exterior Stone Restoration

Stone Restoration
Patching using Jahn Restoration Mortar.
Stone Restoration
Finished patched stone belt course.

Due to the inferior quality of Aquia sandstone and its exposure to the weather it is spalled and deteriorated. To correct these damaged areas, workers cut back the unsound stone to a solid base and used Jahn Restoration Mortar to replicate the original profile of the stone. After patching and repairing the sandstone on the front portico and belt courses the surfaces were coated with Keim mineral-based permanent paint.


Details of the Restoration

The Phase I exterior restoration of Monumental Church (1812), 1224 E. Broad Street, is finished. Phase I is the first of four phases to restore Monumental. The purpose of Phase I was to "seal the building envelope" and repair and prevent water infiltration. Work included roof restoration, stone restoration, wood restoration and the removal of all the non-compatible exterior stucco and the application of new stucco.

The building's restored white façade is a standout in downtown Richmond. Monumental is composed of stucco-covered brick with Aquia sandstone belt courses and an Aquia sandstone portico. Unfortunately, Aquia is an inferior sandstone and requires painting for protection and prevention of deterioration.

As part of the restoration Monumental was painted with a lime-based permanent coating system that will allow the building to breath. This new coat is responsible for the building’s brilliant white and historically accurate exterior. The White House, also composed of Aquia sandstone, was painted soon after completion for the same purpose.

Preservation Trades Company, (PTC) from Huntly, Virginia was hired for Phase I restoration work. PTC specializes in solving difficult restoration and preservation problems with technical expertise in stained glass, masonry, wood and metal. PTC’s well-trained artisans and craftsmen are highly skilled in every facet of historic restoration which includes deteriorated stone, cast stone and embellishments and repairing and replacing deteriorated and rotted wood work. This labor-intensive and tedious restoration work also includes related areas involving plaster, slate, tin or copper roofing, and stone or brick repointing. Waters is a strong proponent of using Jahn restoration mortar which was used at Monumental to repair the deteriorated sandstone. Jahn was developed by Cathedral Stone, Inc. and has virtually revolutionized stone repair and restoration. Dale Waters and PTC have completed several hundred historic and sacred property restorations, ranging from small rural chapels to massive urban cathedrals.

Phase I restoration costs were $1.3 million. Funding was paid for in part by a federal Save America’s Treasures (SAT) Grant from the National Park Service for $319,000. The SAT program requires a non-federal 1:1 match. HRF has raised the $319,000 match through grants from private foundations, gifts from individuals and in-kind donations. The SAT program “is dedicated to identifying and rescuing the enduring symbols of American tradition that define us an a nation.” The SAT program’s goal of “focusing public attention on the importance of our national heritage and the need to save our treasures at risk” has been realized in Phase I at Monumental.

HRF has begun to gear up for Phase II work which focuses on mechanical issues; HVAC, electrical, fire suppression and life safety issues. Phase II is estimated to cost $500,000+. Design work will begin by June 2004 with actual work estimated to begin by Fall 2004. Phase II mechanical systems are critical to sustaining the work completed in Phase I and to the building as a whole. The installation of air conditioning and a dehumidification system will stabilize the building by providing a regulated environment. The mechanical systems put in place in Phase II will ensure the longevity of the restoration of Phase III which focuses on the restoration of the interior surfaces (plaster, wood and paint). Phase IV will restore the grounds, the surrounding exterior brick walls and cast iron fencing, improve site drainage, and provide outside access to the basement crypt.

Restoration Contributors:
Funding for the Monument Replication Project, the documentary and the ongoing restoration of Monumental Church has been provided by the following:

Foundations
The Beirne Carter Foundation
The Gwathmey Foundation
The Mary Morton Parsons Foundation
The Jackson Foundation
The Klaus Foundation
The Morgan Foundation
The Reynolds Foundation
The Roller-Bottimore Foundation
A Private Richmond Anonymous Foundation
A Private Richmond Foundation
The Robins Foundation
The Titmus Foundation
The Ukrop Family Foundation
The Universal Leaf Foundation
The Windsor Foundation

Corporations
Media General, Inc.
BB&T
Capitol One
Commonwealth Architects
Federal Grants
Save America’s Treasures
Challenge Cost Share Program-
U.S. Department of the Interior
The National Endowment of the Arts

Individuals
Mr. Ernest C. Barrett III
Mr. and Mrs. Frederic Scott Bocock
Mr. and Mrs. Overton D. Dennis, Jr.
Mr. H. Preston Harrison
Mr. and Mrs. Eppa Hunton V
Mrs. Annie Johnson
Philip and Nathalie Klaus
Dr. and Mrs. Hunter H. McGuire, Jr.
Ms. Mary Harding Sadler
Mr. and Mrs. Ernest E. Skinner
Mr. Henry H. Whiting
Mr. James H. Whiting
Organizations
The William Byrd Branch of the APVA Preservation Virginia
The James River Garden Club


Historic Richmond Foundation - The William Byrd Branch of APVA Preservation Virginia


Historic Richmond Foundation - The William Byrd Branch of APVA Preservation Virginia


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